Sunday, March 31, 2019

Deepwater Horizon 2016 en Cine

Deepwater Horizon 2016 en Cine






Deepwater Horizon 2016 en Cine- final -BDRip-DTS- Cómo para ver Deepwater Horizon en línea - todos -año- película .jpg



Deepwater Horizon 2016 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Zania Mareli


Coordinador de acrobacias:
Saiyam Joaquin


Diseño de guión:
Rebekah Darmon


Imágenes : Sacha Hendrix
Co-Produzent : Sahal Aminata


Productor ejecutivo : Dayane Sahel


Director de arte supervisor:
Ashi Vafara


Produce|Producir : Meleri Linden


Fabricante: Makena Goddu


Actriz : Tylo Kinley








6.7
2747















































Título de la película






Deepwater Horizon 2016 en Cine







Hora




157 minuto





Lanzamiento




2016-09-29





precio




Sonics-DDP 1080p
Bluray





Categoría




Drama, Action





habla




English





nombre de reparto




Iseult
U.
Jaylin, Ilha CrossmídiaGigi M. Drouin, Unaysah F. Leondra







[HD] Deepwater Horizon 2016 en Cine


As expected this is a bit of a propaganda movie against BP but that was of course rather expected. It is still watchable. The dramatization is fairly well done and the effects are believable as well as enjoyable. If you watch it as a disaster drama and special effects movie it is definitely okay.

As a documentary, well I would say that it falls short. The movie only covers the initial explosion. Once the platform is evacuated the movie stops. I am somewhat disappointed at that. I would at least have liked to see the attempts to put out the fire. Where are the scenes with the boats trying to douse the rig with water for instance?

I would also have liked the film to cover the attempts to close the well, the technical challenges involved and the fight against the oil spill. This is not at all covered.

I feel that the film attempts to ride on public opinion, pretend to be a action/disaster movie as well as a fact telling one and cash in on the accident. The action/disaster parts were well done but the movie left out a lot of the, perhaps less spectacular, drama around the accident. It is a shame because now it became a rather ordinary movie as well as giving a distasteful feeling they were just trying to make some quick bucks on the disaster.

That also made the factual parts somewhat in doubt. I feel the movie is making a strong effort to portray BP as willful criminals. I am sure there is plenty of blame that should fly BP’s way but at the same time one can read that “On November 8, 2010, the inquiry by the Oil Spill Commission revealed its findings that BP had not sacrificed safety in attempts to make money, but that some decisions had increased risks on the rig.”. As always, things are not black and white and oil drilling is risky business after all.

Anyway, enough ramblings, I found the movie okay, nothing more and nothing less.
**To remind us our errors and limits.**

It was a surprising film. Because it was based on a real event, but there's nothing much about heroism which is essential for most of this kind of film and its success to inspire the viewers. I liked that. They just wanted to tell the story. Not to create a hero nor a villain. But due to the casting, Mark Wahlberg looks the centre of the story. And also points out a negative character without confirming anything properly. But if the film is depicting the real incident correctly, then it was no man's fault. It should be a technical error that led to the man's push over the limit.

It's April 20 2010 about 60 kms away southern coast of the US in the Gulf of Mexico. A new batch arrives to continue drilling in the deep sea as part of oil exploration. When they felt they have got it, but it's only a back foot. Small small errors, following a big blow, the entire crew with the greater effort to stop it ends in vain. Finally, it is a matter of saving their own life than the drilling platform. With lots of action, how one of the biggest man made disaster in the recent time comes to end covered in the remaining part.

From the director of 'Lone Survivor' and his part in the project was appreciable. It is another sea disaster theme like the recent 'The Finest Hours'. The film was mainly developed from the articles and also got nominated for the Oscars in two categories, but did not win any. Visual effects were the key for such film and I liked those parts. I appreciate for recreating the event for the world know what really happened. It is a must see, not for entertainment purpose, but it will work for that as well. Recommended!

_7½/10_
A story set on the offshore drilling rig Deepwater Horizon, which exploded during April 2010 and created the worst oil spill in U.S. history.


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Gemini Man 2019 en Cine

Gemini Man 2019 en Cine






Gemini Man 2019 en Cine- ph -720p-Dolby Digital- Película completa HD - 18 -año- blu ray .jpg



Gemini Man 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Bardin Fadi


Coordinador de acrobacias:
Ceira Solène


Diseño de guión:
Niles Cloe


Imágenes : Zamora Perlman
Co-Produzent : Esparza Dantzig


Productor ejecutivo : Hiya Solene


Director de arte supervisor:
Darby Melaine


Produce|Producir : Britt Damani


Fabricante: Cyanna Fatemah


Actriz : Jailen Alaiza








5.9
390















































Título de la película






Gemini Man 2019 en Cine







Hora




166 segundos





Lanzamiento




2019-10-02





precio




MPG 1440p
WEB-DL





Género




Action, Thriller





habla




English, Türkçe





nombre de reparto




Anselme
I.
Ruiz, Millésime ProductionsHussein U. Grace, Nice L. Granet







[HD] Gemini Man 2019 en Cine


A century ago, man was just getting started with movies - heck, we even had sound and colour to explore. ‘Gemini Man’ deserves to be acknowledged for its purposeful step towards discovering what potentially lies out there for the future of movies and the capacity of the technology. Sure, the film finished and Michael and I both agreed the plot was safe and it really does stick to the “boy runs, meets girl and keeps running“ framework - but if you want to see it for more than that, at least respect it’s go-getter exploration of a new digital world.
- Lily Meek

Read Lily's full article...
https://www.maketheswitch.com.au/article/review-gemini-man-ang-lee-vs-ang-lee-has-technology-gone-too-far
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Usually, I leave the technical aspects to the end of my reviews since story, characters, and the critical element of each genre (action in action flicks, comedy in comedies, and so on) are way more important. However, having in mind the whole marketing campaign surrounding Gemini Man's "groundbreaking innovations", I'll address them now. Even after sleeping on it, my experience in high frame rate still feels very … weird. In case you need some explaining, HFR adds a lot more detail to the image since it captures more frames per second hence making the image smoother, which can be extremely distracting. I always disable motion smoothing on my TV since I hate that feeling of knowing that "something's not right".

It doesn't have to do with speed, which is something people are going to wrongly state regarding this film. The action isn't faster, don't make the mistake of saying this. Since there's 2.5x more detail (24 FPS is the standard frame rate), movements become easier to follow, so there's the illusion of watching something faster than normal. Truth is, it just FEELS like it. When characters are just talking, and there's no action involved, it works because it simply looks better. However, the action sequences are very hit-and-miss. Some pieces look absolutely amazing, but it's clear this technology needs a few more years of experience to reach its full potential.

Scenes featuring car/motorbike chases, running, or shootings are stunningly filmed, but any hand-to-hand combat is frustratingly off-putting. Additionally, Ang Lee applies an excessive use of CGI to a lot of these moments, which makes some fights look incredibly absurd. HFR is not the only technical attribute people are going to discuss. That young version of Will Smith … Honestly, it doesn't really work for me. People who complained about The Lion King (2019) not being able to show animals emoting will surely hate this attempt of replicating a young Will Smith (if they don't, then Joker was right, society is indeed extremely hypocritical).

It's just like the action sequences with HFR: hit-and-miss. There are some genuinely mind-blowing scenes with medium shots of young Will Smith, and he looks 99.9% real. In these specific shots, it's impossible to tell the difference between the clone and a real version. However, it still fails to deliver this realism throughout the entire runtime. First of all, young Henry barely shows any emotions (except a brilliant crying moment), which is obviously meant to facilitate the VFX team's work. But even with his face completely still and empty of emotions, the eyes just look too doll-like. The eyebrows move strangely, and the forehead seems odd.

In the end, it all comes down to forgetting that it's a digital character and that almost never happens. I always felt like I was watching a blend of CGI, motion-capture, and whatever other technology they used to try to pull this off. In a few years from now, if Gemini Man gets a remake or some other movie tries to do something similar, I bet it will look near-perfect. Right now, it's more of a disturbance than an achievement. Put this together with the already not-that-good HFR, and we get a visually striking yet distracting film.

And if you thought the story would save it… It's pretty bad. Generic, predictable, and filled with almost offensive exposition. I would have to go through my reviews, but this is definitely one of the most exposition-heavy screenplays of the year. I lost count of the number of times a character starts ranting with the purpose of explaining something evident to another character. The worst thing a screenplay can do is treat the audience like they are 5-year-old children. The whole plot revolves around people asking someone else what happened, what's happening, and what's next. We already know from the trailer Will Smith is being hunted by a young version of himself, a clone.

Try to imagine how many ways you can tell someone there's an individual exactly like that person. Now, just lazily insert all of those sentences on a character's script and make it say them in a single scene. I'm sorry, but it's laughably bad. There are no surprises! It ends abruptly, utterly disregarding the only interesting plot point (still very predictable), by not developing it any further than one sequence. If it wasn't for the truly fantastic cast (Will Smith is always impeccable, Mary Elizabeth Winstead and Benedict Wong deliver great performances), Gemini Man would easily be one of the absolute worst movies of the year. Shoutout to Lorne Balfe's score, which is by far the technical aspect worthy of only compliments.

All in all, Ang Lee's attempt to deliver a groundbreaking film doesn't quite hit the mark. Honestly, it's still far from it. The 60 FPS HFR and the young version of Will Smith are occasionally jaw-dropping, but both technical aspects need years of improvement to be able to work seamlessly. As of now, these only serve as a frustrating distraction. However, the biggest problem with Gemini Man is its exposition-heavy screenplay, which besides treating the audience like dumb people, doesn't carry any sort of surprise or novelty. As generic and predictable as it could be. The unbelievably talented cast, a spectacular score from Lorne Balfe, and a few notable action sequences save this technological hit-and-miss from missing its target entirely.

Rating: C-
Henry Brogen, an aging assassin tries to get out of the business but finds himself in the ultimate battle: fighting his own clone who is 25 years younger than him and at the peak of his abilities.


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Saturday, March 30, 2019

Aladdin 2019 en Cine

Aladdin 2019 en Cine






Aladdin 2019 en Cine- críticas -WMV-FLA- 480p Descargar - pdf -año- película de ganzer .jpg



Aladdin 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Vincent Burton


Coordinador de acrobacias:
Hatouma Staël


Diseño de guión:
Sand Wyman


Imágenes : Pascal Avis
Co-Produzent : Nihan Jayquan


Productor ejecutivo : Ekhum Kühner


Director de arte supervisor:
Rajvir Dickens


Produce|Producir : Eleanor Chang


Fabricante: Jowen Badis


Actriz : Barron Ziah








7.1
3854















































Título de la película






Aladdin 2019 en Cine







Hora




197 segundos





Lanzamiento




2019-05-22





valor




AVI 1080p
TVrip





Género




Adventure, Fantasy, Romance, Comedy, Family





lenguaje




English





nombre de reparto




Mahdiya
C.
Côme, Northwest DigitalDeneuve A. Lexa, Zara T. Paget







[HD] Aladdin 2019 en Cine


If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

What a wonderful surprise! I didn’t watch any trailers or clips, I completely stayed away from any sort of marketing, but I couldn’t hide from the negative feedback that social media was presenting. People online were skeptical of how good Will Smith‘s Genie would be, of how Mena Massoud (Aladdin) and Naomi Scott (Jasmine) were not the best casting choices, and of how the remake would actually honor and respect its original. From someone who didn’t know what to expect, I thoroughly enjoyed Guy Ritchie‘s take on the retelling of this famous story. All of the fears described above are obliterated by a magical cast, and they’re the ones who carry the movie to safe harbor.

I’ll start with one out of two standout performances: Will Smith as the Genie. He delivers an indisputably unique and entertaining display as the blue entity. By the way he moves and talks, there’s absolutely no way of people criticizing him for trying to copy Robin Williams. Smith does his own thing, and it works superbly. The best compliment I can give him is that I felt the same thing about Genie in this remake that I did while watching the original: every time he wasn’t on screen, I wanted him to be back immediately. In the original, I thought that the Genie appeared in the right moments every single time, which was when the pacing started to drop too much.

In this remake, the periods without Genie are more extended, and the first act suffers a bit from its slow pace, and lack of truly fun sequences. Nevertheless, once the Cave of Wonders comes into play, it’s a blast until the very end. The magic carpet and Abu make one hell of a comedy duo, and they’re responsible for a lot of the laughs throughout the runtime. Going back to Genie, I love that Ritchie and John August gave him something more in comparison with the original, and that’s one of few improvements actually made to the original. I wrote on that review that I was hoping that they gave more time for the core relationship of the film to develop and that Jafar (Marwan Kenzari) was more than just a paper-thin villain…

Well, Jafar keeps being an evil sorcerer that only desires power to rule everything and everyone. Unfortunately, he has more screentime than its predecessor, which means more over-the-top monologues of Kenzari, and sillier sequences with the whole hypnosis trick. On the other hand, Jasmine and Aladdin have a fully-developed script, which is by far the best improvement on the original. Their relationship grows naturally, and each character gets a lot of moments to express their feelings and show who they truly are, especially Jasmine. She is directly connected to an issue that will definitely make this movie incredibly divisive, audience and critics alike, but I’ll address it more at the end of the review.

Independently of the characters, Mena Massoud and Naomi Scott deliver breakthrough performances. Massoud is funny and quite likable as Aladdin, but Naomi is an absolute standout. Now, we look at this film as just another Disney remake. In a few years, we’ll look at Aladdin (2019) as the movie that launched Naomi Scott into the stardom. She is astonishingly outstanding as Jasmine. Not only her voice is pretty amazing, but her acting is unbelievably seamless. Regarding singing, Will Smith and Mena Massoud are also pretty good, and the musical numbers are another aspect that I surprisingly loved. Prince Ali, Friend Like Me, A Whole New World and the new song, Speechless, are beautiful, powerful, and the first two’s production design and VFX are overwhelming in a good way.

Guy Ritchie is known for his very fluid chasing sequences, and Aladdin running through Agrabah is very well filmed as expected. However, the long choreographed takes during these musical scenes are a wonder to behold, from the first to the very last one, even after the “The End” tagline shows up. A perfect remake is one that is able to keep the original’s essence while being its own thing. Ritchie does an impressive job balancing these pillars. For anyone who loves the original and wanted the remake to be a shot-by-shot retell of the story, every single little detail (from key words to important character moments) is present in this film. For anyone who wanted a different take, there’s more than enough minor changes to either how the story proceeds (order of events, more character development) or even how it ends, which leads me to the above-mentioned divisive issue.

Every time a political or social agenda is inserted in a movie, people don’t care if it’s well-written or not. They just don’t want any of those things on any film, and I support that. Hollywood needs to stop trying to put something politically or socially correct in a movie, just for the sake of it. Aladdin (2019) has a clear social message, and it uses one of the main characters to state that message clearly. Now, here’s the catch: having in mind the character in question, how it’s written, and what they do to send that social message, I think it’s fine. Yes, I know that a lot of people will think the complete opposite and crucify the film for it. I usually do the following mental exercise: “Does it make sense with the story/character? Is it just a single moment during the movie (proving that it might be too forced) or do they develop the idea? If it was an original film, would I even be thinking about this?”

Yes. They develop the idea. Probably not. Those are my answers, and that’s why I stand on the positive side of this soon-to-be heavily discussed subject during a few days. People need to start opening their minds to these modern takes on pre-21st-century classics. I always use Dumbo (1941) as an example: this is probably the most racist Disney movie ever, with extreme discrimination, total disrespect for animals, alcohol-induced plot points, and so much more morally and socially wrong storylines and character’s personalities. There’s no way that a film like that can be released today! So, obviously, Dumbo (2019) had to be extremely different from that one-hour racism show.

Aladdin (1992) also has a particular aspect about it that it doesn’t quite fit nowadays’ culture. It’s not offensive or anything, but I bet that if it was released today, a whole group of people would complain about it. Aladdin (2019) tries to adapt, and while it might have tried too hard, I still appreciate the effort, and at least it makes sense. It’s only a minor change to the core story and to the character in question, so it' shouldn’t affect the overall viewing of the movie. If Speechless wasn’t created, it would have been totally fine, but I have to admit that even if the song sounds great and the lyrics are impactful, it’s still a stretch… Naomi Scott interprets it beautifully, though.

Visually, the film is stunning. Agrabah is an absolute delight that will make hardcore fans’ jaws drop continuously, each time a new location is shown. I love how Ritchie strolls the camera around to show-off his production crew beautiful work, most of the times through long and fluid takes. I wish (no pun intended) he could have controlled the movie’s pace and tone better. Periods without Genie to entertain the audience are too long, and Ritchie shouldn’t risk the boredom levels to be as high as they are occasionally.

All in all, Aladdin (2019) succeeds in balancing the two pillars of any remake: it keeps the original’s true essence while standing on its own. Will Smith shuts down online skeptics with a super entertaining and unique performance as Genie, but it’s Naomi Scott and Mena Massoud palpable chemistry that surprised the hell out of me. The latter is perfect as Aladdin, but Naomi has her breakthrough display, which is definitely going to take her to even bigger stages. Guy Ritchie proves he’s a fantastic director, by delivering some beautiful one-take sequences and exceptionally fun and well-choreographed musical numbers. Technically, the production and set design are astounding, but the pacing-tone levels aren’t as balanced as they should have been, which makes the runtime over-extend itself.

Story-wise, people will feel incredibly divisive. Most of the screenplay is identical to its predecessor, but Disney’s attempt to force down a social message is not going to help the film, at all. Even if it makes sense and it’s only a minor twist, it was still unnecessary, and it might even shadow Naomi‘s brilliant performance, which would be a massive shame. Jafar bothers me a lot more than any of this stuff. However, Ritchie and John August deserve nothing but compliments for trying so hard to adapt such a risky original and mostly succeed doing it. I genuinely hope it crushes in the box office. It’s really a diamond (in the rough). Go watch it and make your own opinion!

Rating: B+
Saw this one last night and I must say I wasn't sure what to expect but I was extremely impressed by what I saw the movie made me laugh and smile theres plenty of action for Young boys and alot of music costumes and romance for young girls the only problem I see is there are shots of swinging breasts due to the wardrobe back then also the action may be a bit much for the youngest of kids but it's pure edge of the seat adventure that you absolutely must see best Disney movie of the year so far
While I am fully prepared to admit that I hated this slightly less than I expected to, I also officially give up on Guy Ritchie. Disney's original _Aladdin_ is not one of my favourite Disney flicks, but I do like it. And although I'm sure there are people out there who will appreciate this live action do-over more than me, I do find it difficult to believe anyone would think this one is the better of the two versions.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
A kindhearted street urchin named Aladdin embarks on a magical adventure after finding a lamp that releases a wisecracking genie while a power-hungry Grand Vizier vies for the same lamp that has the power to make their deepest wishes come true.


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The Current War 2019 en Cine

The Current War 2019 en Cine






The Current War 2019 en Cine- oro - descargar -DVDrip-Google Drive mp4- horarios -año- stream hd .jpg



The Current War 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Isac Blair


Coordinador de acrobacias:
Migel Roxann


Diseño de guión:
Ritika Jibrael


Imágenes : Love Nataly
Co-Produzent : Monique Hufsah


Productor ejecutivo : Savard Esinam


Director de arte supervisor:
Tallman Gaby


Produce|Producir : Germain Sener


Fabricante: Borys Harnoor


Actriz : Bocquet Jaque








6.7
153















































Título de la película






The Current War 2019 en Cine







Hora




184 minuto





Lanzamiento




2019-07-26





precio




MPEG-1 1080p
WEB-DL





Categorías




Drama, History





lenguaje




English





nombre de reparto




Loup
V.
Leia, Atlas StudiosRicci H. Léane, Coluche C. Arati







[HD] The Current War 2019 en Cine



Electricity titans Thomas Edison and George Westinghouse compete to create a sustainable system and market it to the American people.


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The Current War 2019 Doblaje Español

The Current War 2019 Pelicula en Inglés

The Current War 2019 Pelicula Completa Castellano

The Current War 2019 en Persona

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The Current War 2019 Película Completa en Español

The Current War 2019 La Película titile 2019 Completa en Español

The Current War 2019 Ver The Current War 2019 Online Castellano

The Current War 2019 Pelicula Completa Castellano

Untitled I Am Legend Reboot en Cine

Untitled I Am Legend Reboot en Cine






Untitled I Am Legend Reboot en Cine- publicar - stream -M2V- hd en línea - nuevo -año- deutsch .jpg



Untitled I Am Legend Reboot en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Harees Blanche


Coordinador de acrobacias:
Gless Lacene


Diseño de guión:
Sabine Wain


Imágenes : Cammie Lafond
Co-Produzent : Arnoldo Allaya


Productor ejecutivo : Juelz Maxxie


Director de arte supervisor:
Khloe Dumas


Produce|Producir : Carn Kyea


Fabricante: Anand Atticus


Actriz : Shatha Mamadou

























































Título de la película






Untitled I Am Legend Reboot en Cine







Hora




136 minuto





Lanzamiento










cantidad




M4V 720p
WEB-DL





Categorías










lenguaje




English





nombre de reparto




Restout
B.
Louetta, PKM FilmsLaux X. Lyra, Julio Q. Jarod







[HD] Untitled I Am Legend Reboot en Cine



A look at the plague that decimated New York City and gave birth to creatures known as the Infected.


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TAG :

Untitled I Am Legend Reboot Filmaffinity

Untitled I Am Legend Reboot en Cine

Untitled I Am Legend Reboot Estreno España

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Untitled I Am Legend Reboot Ver Untitled I Am Legend Reboot Online Castellano

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Christmas & Co. 2017 en Cine

Christmas & Co. 2017 en Cine






Christmas & Co. 2017 en Cine- ao3 -HDTV-Sonics-DDP- Película HD - teorías -año- it alienisch .jpg



Christmas & Co. 2017 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Aroosa Jeaurat


Coordinador de acrobacias:
Remell Mitko


Diseño de guión:
York Marilee


Imágenes : Keiyan Elliese
Co-Produzent : Gingras Jonas


Productor ejecutivo : Lorna Grimaud


Director de arte supervisor:
Boivin Calli


Produce|Producir : Ashlyn Mitesh


Fabricante: Nanine Cindy


Actriz : Anglea Finley








6.3
344















































Título de la película






Christmas & Co. 2017 en Cine







Reloj




186 segundos





Lanzamiento




2017-12-06





objetos de valor




Dolby Digital 1080p
TVrip





Categorías




Comedy





lenguaje




Français





nombre de reparto




Jamey
W.
Tori, BNN TVAinara Z. Arya, Jamahl P. Elia







[HD] Christmas & Co. 2017 en Cine



Christmas is on its way and with it disaster. The 92,000 responsible for manufacturing children's toys all become sick at the same time! It's a tough moment for Santa, better known as Father Christmas. He's left no choice: he must make an emergency trip to Earth with his reindeer to search for a remedy. When he arrives, he must find some allies to save the magic of Christmas.


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Christmas & Co. 2017 Filmaffinity

Christmas & Co. 2017 en Cine

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Christmas & Co. 2017 Ver Christmas & Co. 2017 Online Castellano

Christmas & Co. 2017 Pelicula Completa Castellano

Friday, March 29, 2019

Lens 2016 en Cine

Lens 2016 en Cine






Lens 2016 en Cine- taquilla -FLV-WMV- Watch Lens Online Reddit - en línea -año- inglés .jpg



Lens 2016 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Enesa Rohmer


Coordinador de acrobacias:
Tashina Manuela


Diseño de guión:
Winnick Salem


Imágenes : Bibiana Haider
Co-Produzent : Myrna Barnabé


Productor ejecutivo : Juleen Sichère


Director de arte supervisor:
Brett Puech


Produce|Producir : Iris Kexin


Fabricante: Lorissa Rina


Actriz : Lombard Allene








7.6
8















































Título de la película






Lens 2016 en Cine







Momento




116 minuto





Lanzamiento




2016-06-17





cantidad




WMV 1080p
HDTS





Género




Thriller





habla




English, Array, தமிழ்





nombre de reparto




Keshvi
A.
Feyder, Douglas EntertainmentPenny M. Jaiyana, Juleen F. Erline







[HD] Lens 2016 en Cine



A porn addict is threatened by a hacker, who orders the guy to witness him commit suicide online.


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Lens 2016 Pelicula Completa Castellano

Parasite 2019 en Cine

Parasite 2019 en Cine






Parasite 2019 en Cine- críticas - ganzer film -MPEG-2- Película HD - actriz -año-stream .jpg



Parasite 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Horatio Brielle


Coordinador de acrobacias:
Viète Alijah


Diseño de guión:
Jess Clément


Imágenes : Haziq Nanci
Co-Produzent : Denyse Reilly


Productor ejecutivo : Hélio Orso


Director de arte supervisor:
Dilly Gracq


Produce|Producir : Koyré Frankii


Fabricante: Lebel Tapia


Actriz : Kassim Ephra








8.5
906















































Título de la película






Parasite 2019 en Cine







Duración




166 minutos





Lanzamiento




2019-05-30





cantidad




MPEG-1 1080p
BDRip





Categoría




Drama, Thriller, Comedy





lenguaje




한국어/조선말





nombre de reparto




Parent
W.
Alen, MF YapimAnabiya Y. Artus, Kaydan H. Djena







[HD] Parasite 2019 en Cine


What makes ‘Parasite’ so satisfying is that it commits neither error. It’s an engrossing, stylish and near perfect movie, and its underlying themes go beyond merely pointing out class exploitation to challenge the logic of capital. Though he is often juggling a mosaic of characters, themes and social issues, Bong never eschews his anarchic impulses and dark humour. It’s a movie that should be seen as widely as possible, if only so that Bong Joon-ho gets more chances to make movies for modern audiences that badly need them.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-parasite-a-bloodthirsty-and-very-funny-look-at-class-warfare

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
The working class and down on their luck Kim family struggle to make ends meet. When a friend of the son, Ki-Woo’s, who is an English tutor for the daughter in the wealthy Park family, has to leave his position, he recommends Ki-Woo for the job. Now having an "in" with the wealthy family, the Kims begin plotting the downfall of the current household servants and inserting themselves into those vacant positions, making them all gainfully employed and with money finally flowing into the household. But not everything is as it seems in the Park house or with their previous servants.

This movie starts out as a comedy and quickly goes into social commentary, pointing out the differences between the poor working class family and the wealthy privileged family. The differences are ones that get commonly pointed out with the well-to-do having what usually gets termed as first-world-problems, while the poor family is literally trying to survive and save meager possessions in a flood. It doesn’t shy away or try to be subtle about it, but interestingly enough, we don’t feel beaten over the head with it either, which is a major change from the ham-fisted approach taken by most filmmakers. Couching this in a comedy is a good approach, as well, as the audience’s guard is let down and we become more receptive to the ideas.

However, I do say it’s MOSTLY a comedy. The third act takes a dark, dark turn, and the contrast, not to mention general disdain and even indifference, between the classes becomes much more severe. This gets into some hard territory, and characters that we’ve found quirky and even come to like in some ways show very different sides of themselves. At the same time, it doesn’t feel unexpected, almost like we could tell that this was under the surface all the time and tried to ignore it, but aren’t surprised by it when it does show up. This is some masterful characterization!

Another aspect of note is that this film is rich in allegory and metaphor. It’s a smart film, yet at the same time the filmmakers are not condescending about it. They give the audience credit for being able to understand the symbolism and don’t spoon feed you everything, which is a refreshing change from the usual head-beating most filmmakers go for. At the same time, they understand that not every audience member will understand or immediately pick up on every symbol, but they have crafted this so carefully and so perfectly that you don’t have to understand each and every one. That understanding merely enriches the experience, but isn’t essential to it.

This film has gotten some recognition, and deservedly so. It is rich, intelligent, and polished to a degree that we sadly don’t see as often as we should nowadays, showing the filmmakers are masters of their craft. This is easily one of the best films I’ve seen in 2019. Highly recommended!
All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.


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Eadweard 2015 en Cine

Eadweard 2015 en Cine






Eadweard 2015 en Cine- caja -MPEG-SDDS- Película HD - hindi -año-stream .jpg



Eadweard 2015 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Harold Pomeroy


Coordinador de acrobacias:
Dagron Delisle


Diseño de guión:
Johnny Bush


Imágenes : Beatris Short
Co-Produzent : Zaniyah Waller


Productor ejecutivo : Nyarai Serena


Director de arte supervisor:
Chedid Elim


Produce|Producir : Ariele Maiwen


Fabricante: Sahair Breda


Actriz : Skye Myeesha








7
6















































Título de la película






Eadweard 2015 en Cine







Momento




134 segundos





Lanzamiento




2015-02-28





valor




ASF 720p
BRRip





Categoría




Drama





lenguaje




English





nombre de reparto




Anouk
L.
Shannon, OD MediaJiro N. Lancret, Wall N. Habib







[HD] Eadweard 2015 en Cine



In the second half of the 19th century, Eadweard Muybridge, the father of motion pictures, embarks on an obsessive project to record on film "the motion of life" in all of its abundance. His epic quest is eclipsed only by the depth of his jealousy over his beautiful, young wife Flora. As the project progresses, his paranoia over her fidelity consumes him, until questions arise about his son’s paternity, causing him to erupt.


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Nelly 2017 en Cine

Nelly 2017 en Cine






Nelly 2017 en Cine- trailer -DAT-DVDrip- Movie LIVE Stream - 720p -año- blu ray .jpg



Nelly 2017 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Abbé Leonie


Coordinador de acrobacias:
Perrey Cailot


Diseño de guión:
Rabican Alita


Imágenes : Zack Mariele
Co-Produzent : Sherman Milon


Productor ejecutivo : Romie Filiz


Director de arte supervisor:
Jenny Kamel


Produce|Producir : Nandita Slainie


Fabricante: Oakly Jaevon


Actriz : Tiffney Stevens








6.3
10















































Título de la película






Nelly 2017 en Cine







Reloj




151 minutos





Lanzamiento




2017-01-20





valor




ASF 1080p
HDTV





Categoría




Drama





habla




Français





nombre de reparto




Adell
C.
Mayline, Goodmarc ProductionsSzendy H. Deblois, Labica T. Marsel







[HD] Nelly 2017 en Cine



A high-class prostitute by choice, Nelly Arcan’s colorful life is recreated in a multi-layered and stylish mix of make-believe and memoir, revealing Nelly’s alter egos: the neurotic writer, the vulnerable lover, the call girl and the star. Nelly shocked the literary world with her elegant writing and the lurid details of sex work in her autobiographical first novel, Whore, which became a critically acclaimed bestseller. Despite unprecedented success, Nelly’s remarkable life ended in tragedy.


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Little Monsters 2019 en Cine

Little Monsters 2019 en Cine Little Monsters 2019 en Cine- online -M2V-MPEG- Google Play - corazón -año- película de ganzer .jpg ...