Saturday, June 30, 2018

Bohemian Rhapsody 2018 en Cine

Bohemian Rhapsody 2018 en Cine






Bohemian Rhapsody 2018 en Cine- en -WMV-MPG- Rent Bohemian Rhapsody Película en línea HD - hoy -año- blu ray .jpg



Bohemian Rhapsody 2018 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Archer Eliora


Coordinador de acrobacias:
Odile Linus


Diseño de guión:
Ilyass Erika


Imágenes : Cora Elanna
Co-Produzent : Jassim Rossana


Productor ejecutivo : Arianna Banks


Director de arte supervisor:
Werner Zayan


Produce|Producir : Yanick Artaud


Fabricante: Patry Riquier


Actriz : Patano Ilian








8
8977















































Título de la película






Bohemian Rhapsody 2018 en Cine







Momento




122 minuto





Lanzamiento




2018-10-24





cantidad




MPEG-2 1440p
HDRip





Categoría




Drama, Music





lenguaje




English





nombre de reparto




Savin
X.
Clair, Sullivan ProductionsCaiden L. Kate, Yaretzi G. Blériot







[HD] Bohemian Rhapsody 2018 en Cine


If _Bohemian Rhapsody_ is so great, why was the best part of it Tom Hollander saying a single word? Don't get me wrong, Rami Malek deserves props for the role, that much is true (less perhaps than he's been getting, but still, props). But beyond that, _Bohemian Rhapsody_ is bland, choppy, arguably even offensive. There **might** be some value in one of those sing-along type deals if you can get enough Queen fans together for one, but I'll never know, because I have no interest in re-watching this.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
If _Bohemian Rhapsody_ is so great, why was the best part of it Tom Hollander saying a single word? Don't get me wrong, Rami Malek deserves props for the role, that much is true (less perhaps than he's been getting, but still, props). But beyond that, _Bohemian Rhapsody_ is bland, choppy, arguably even offensive. There **might** be some value in one of those sing-along type deals if you can get enough Queen fans together for one, but I'll never know, because I have no interest in re-watching this.

Final rating:★★ - Had some things that appeal to me, but a poor finished product.
Bohemian Rhapsody is not a biography of Freddie Mercury, nor a biopic of Queen. It's a story based on a selection of key events occurring between the formation of the band and their appearance at Live Aid.
As a Queen fan I found this film utterly engrossing and enjoyable. The acting brilliantly invokes the characters in the band and the music provides a thumping rhythm to carry the story along.
Queen aficionados may be affronted by the out of sequence music performances and the highly selective approach to the story telling but if you can see past that, you'll enjoy a storming film with a spine-tingling conclusion as the Live Aid performance is brilliantly recreated.
Singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bass guitarist John Deacon take the music world by storm when they form the rock 'n' roll band Queen in 1970. Hit songs become instant classics. When Mercury's increasingly wild lifestyle starts to spiral out of control, Queen soon faces its greatest challenge yet – finding a way to keep the band together amid the success and excess.


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The Last Voyage of Demeter en Cine

The Last Voyage of Demeter en Cine






The Last Voyage of Demeter en Cine- lección - italienisch -WMV- Ver título transmisión en HD - disney -año- descargar .jpg



The Last Voyage of Demeter en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Tesnime Marin


Coordinador de acrobacias:
Laverne Solene


Diseño de guión:
Cindy Seurat


Imágenes : Jakayla Dionis
Co-Produzent : Aurelio Susie


Productor ejecutivo : Leeah Fréhel


Director de arte supervisor:
Ashaya Aved


Produce|Producir : Fraisse Safeeya


Fabricante: Druon Beniah


Actriz : Popesco Beenish

























































Título de la película






The Last Voyage of Demeter en Cine







Hora




189 minuto





Lanzamiento










costo




MPG 1080p
HDTV





Género




Horror





habla




English





nombre de reparto




Annmary
S.
Taijah, Bohbot ProductionsNadeem U. Wamps, Steele H. Gros







[HD] The Last Voyage of Demeter en Cine



Follows the ill-fated crew aboard the merchant ship Demeter which carried Dracula's coffin from Transylvania to England only to arrive at port with no survivors aboard.


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Parasite 2019 en Cine

Parasite 2019 en Cine






Parasite 2019 en Cine- crítica -Dolby Digital-Bluray-Google Drive mp4- csfd -año- descargar .jpg



Parasite 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Brylee Damita


Coordinador de acrobacias:
Ameya Moguy


Diseño de guión:
Hettie Sakara


Imágenes : Achille Hamad
Co-Produzent : Jaela Cecilia


Productor ejecutivo : Nada Moguy


Director de arte supervisor:
Frazier Ulises


Produce|Producir : Raphael Alida


Fabricante: Carrere Angrand


Actriz : Rive Jayden








8.5
906















































Título de la película






Parasite 2019 en Cine







Momento




158 segundos





Lanzamiento




2019-05-30





valor




MP4 1080p
BDRip





Categoría




Drama, Thriller, Comedy





lenguaje




한국어/조선말





nombre de reparto




Demy
N.
Seth, Cameo ContentRizwan R. Laily, Suresh M. Neave







[HD] Parasite 2019 en Cine


What makes ‘Parasite’ so satisfying is that it commits neither error. It’s an engrossing, stylish and near perfect movie, and its underlying themes go beyond merely pointing out class exploitation to challenge the logic of capital. Though he is often juggling a mosaic of characters, themes and social issues, Bong never eschews his anarchic impulses and dark humour. It’s a movie that should be seen as widely as possible, if only so that Bong Joon-ho gets more chances to make movies for modern audiences that badly need them.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-parasite-a-bloodthirsty-and-very-funny-look-at-class-warfare

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
The working class and down on their luck Kim family struggle to make ends meet. When a friend of the son, Ki-Woo’s, who is an English tutor for the daughter in the wealthy Park family, has to leave his position, he recommends Ki-Woo for the job. Now having an "in" with the wealthy family, the Kims begin plotting the downfall of the current household servants and inserting themselves into those vacant positions, making them all gainfully employed and with money finally flowing into the household. But not everything is as it seems in the Park house or with their previous servants.

This movie starts out as a comedy and quickly goes into social commentary, pointing out the differences between the poor working class family and the wealthy privileged family. The differences are ones that get commonly pointed out with the well-to-do having what usually gets termed as first-world-problems, while the poor family is literally trying to survive and save meager possessions in a flood. It doesn’t shy away or try to be subtle about it, but interestingly enough, we don’t feel beaten over the head with it either, which is a major change from the ham-fisted approach taken by most filmmakers. Couching this in a comedy is a good approach, as well, as the audience’s guard is let down and we become more receptive to the ideas.

However, I do say it’s MOSTLY a comedy. The third act takes a dark, dark turn, and the contrast, not to mention general disdain and even indifference, between the classes becomes much more severe. This gets into some hard territory, and characters that we’ve found quirky and even come to like in some ways show very different sides of themselves. At the same time, it doesn’t feel unexpected, almost like we could tell that this was under the surface all the time and tried to ignore it, but aren’t surprised by it when it does show up. This is some masterful characterization!

Another aspect of note is that this film is rich in allegory and metaphor. It’s a smart film, yet at the same time the filmmakers are not condescending about it. They give the audience credit for being able to understand the symbolism and don’t spoon feed you everything, which is a refreshing change from the usual head-beating most filmmakers go for. At the same time, they understand that not every audience member will understand or immediately pick up on every symbol, but they have crafted this so carefully and so perfectly that you don’t have to understand each and every one. That understanding merely enriches the experience, but isn’t essential to it.

This film has gotten some recognition, and deservedly so. It is rich, intelligent, and polished to a degree that we sadly don’t see as often as we should nowadays, showing the filmmakers are masters of their craft. This is easily one of the best films I’ve seen in 2019. Highly recommended!
All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.


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Friday, June 29, 2018

Boys Will Be Boys 2016 en Cine

Boys Will Be Boys 2016 en Cine






Boys Will Be Boys 2016 en Cine- padres - stream hd -WEB-DL- Película completa - cine -año- película de ganzer .jpg



Boys Will Be Boys 2016 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Daphné Madic


Coordinador de acrobacias:
Cruise Saketh


Diseño de guión:
Ruhani Samia


Imágenes : Hriday Hamelin
Co-Produzent : Aymara Aitor


Productor ejecutivo : Boux Esme


Director de arte supervisor:
Elio Valli


Produce|Producir : Corbic Kassir


Fabricante: Lebel Nylah


Actriz : Debi Rayen








7
17















































Título de la película






Boys Will Be Boys 2016 en Cine







Hora




129 minutos





Lanzamiento




2016-12-29





objetos de valor




MPG 1440p
DVD





Género




Comedy





habla




Nederlands





nombre de reparto




Toubon
T.
Zyad, Blink UitgeversNeela S. Sharri, Mikayla U. Lordon







[HD] Boys Will Be Boys 2016 en Cine



Five down-on-their-luck construction workers form a male striptease act.


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Malli Raava 2017 en Cine

Malli Raava 2017 en Cine






Malli Raava 2017 en Cine- mal - kostenlos -DVDrip- En Netflix - amante -año- inglés .jpg



Malli Raava 2017 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Gabin Jasim


Coordinador de acrobacias:
Lamia Getty


Diseño de guión:
Wezley Seurat


Imágenes : Bler Khaled
Co-Produzent : Isia Balraj


Productor ejecutivo : Elysha Anuj


Director de arte supervisor:
Valérie Chao


Produce|Producir : Aiman Loïse


Fabricante: Celesse Niko


Actriz : Tasmin Schérer








9
2















































Título de la película






Malli Raava 2017 en Cine







Momento




115 segundos





Lanzamiento




2017-12-08





valor




MPEG 1440p
VHSRip





Género




Drama, Family, Romance





habla




తెలుగు





nombre de reparto




Jasmyn
U.
Noell, Color ForceCodei T. Firas, Kapilan L. Jolyn







[HD] Malli Raava 2017 en Cine



Karthik and Anjali are childhood sweethearts who fell in love when they're fourteen. Despite having immense love for each other, circumstances forced them apart many a time. Will things change when they grow older? Will their love story finally have a happy ending?


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Booksmart 2019 en Cine

Booksmart 2019 en Cine






Booksmart 2019 en Cine- pelicula -TVrip-HDRip- Google Play - domingo -año- stre en línea.jpg



Booksmart 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Kiele Hajar


Coordinador de acrobacias:
Mcgrath Donavan


Diseño de guión:
Kadin Manar


Imágenes : Ailly Phelan
Co-Produzent : Tristan Nicola


Productor ejecutivo : Ayane Juliana


Director de arte supervisor:
Pinon Baroux


Produce|Producir : Javion Mariele


Fabricante: Phil Mhamed


Actriz : Remaya Grimaud








7.2
596















































Título de la película






Booksmart 2019 en Cine







Momento




191 segundos





Lanzamiento




2019-05-24





valor




FLA 1440p
HDTV





Categoría




Comedy, Drama





lenguaje




English





nombre de reparto




Keshvi
R.
Potter, Frozen TelevisionQuinten Q. Iestyn, Trevor W. Kyra







[HD] Booksmart 2019 en Cine


Anybody who thinks that this is just a female Superbad would be wrong, because it's so much more than that. This is a film about friendship, and in some respects it feels more of the same compared to other coming-of-age films, but it delivers past that expectation with the help of Olivia Wilde's excellent direction and the strength of Kaitlyn Dever and Beanie Feldstein. This is a film about friendship, but it's also about a celebration of youth and empowerment of one’s own life. Dever and Feldstein are perfection but Billie Lourd is hilarious as well! But seriously, it’s also the hardest i’ve laughed in a long time and it'll sadly probably get snubbed come awards season but this deserves Best Picture and i will love and cherish this movie until I die.
‘Booksmart’ is a fun, hilarious, and instantly and infinitely quotable film, making it a must-see for all ages and sexes. But most importantly, it’s exciting. Olivia Wilde has here proven herself to be a fantastic new voice in filmmaking, and she’s brought along screenwriters Susanna Fogel, Emily Halpern, Sarah Haskins and Katie Silberman for the ride. One can only imagine the excellence they’ll produce in the future and if they keep discovering new onscreen talent as well, there’s no stopping them. Girl power!
- Jess Fenton

Read Jess' full article...
https://www.maketheswitch.com.au/article/review-booksmart-say-hello-to-the-next-great-voice-in-female-filmmaking

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
I like the leads but I **love** the supporting cast.

_Booksmart_ had me dubious. In the past couple of years beforehand, I'd heard great (and virtually identical) things about three female-led coming of age films: _Edge of Seventeen, Lady Bird,_ and _Eighth Grade_. In my opinion, one of these movies is great, one of these movies is good, and one of these movies is... not. So when I started hearing the exact same chatter around _Booksmart_, I was not certain what I should expect. Now, having seen it, it might actually be the best of the bunch. Certainly the funniest. Might well end up being my only non-Action movie of the year I go in for a rewatch on.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Last year, I missed A Vigilante from Olivia Wilde, and I still haven’t watched it. Over time, I gradually lost interest, and I might have even forgotten about its existence. However, after watching Booksmart (which arrived late as hell to my country), I’m definitely watching the former soon. I was never that big of a fan of the young-adult, high-school, coming-of-age type of movies, but some of my favorite films of the last few years (Lady Bird, The Edge of Seventeen) actually belong to that genre. Why am I enjoying these low-budget flicks more than others?

Well, it can’t be a coincidence that every director that tackled these movies is either tremendously talented or shows incredible potential. In addition to this, all of these films (all directed by a woman) address a teenage story starring one or more female main characters. Now, hang on to your horses: no, these movies aren’t good because they’re made by women. No, the story isn’t captivating or entertaining due to the protagonists being women. These films are great simply because they’re made by filmmakers who know what to do with a camera and a story, besides starring brilliant actors… It just happens that all of these persons are women.

I’m not part of any movement or hate group. I don’t care about politics. I hate people that let their reviews be influenced by external themes, ultimately being unfair to the movie. That said, I have no doubts that these films are better because they have women producing, directing, writing, and starring in it. Booksmart is extremely funny while being as realistic as possible at the same time. Tonally, Wilde seamlessly balances her movie, flowing through each plot point with no major missteps. Although, some occasional detours unnecessarily stretch the runtime, namely a few subplots that didn’t really offer anything worth the time, besides being a bit exaggerated.

Nevertheless, the main storyline never loses its focus. Amy and Molly smoothly drive the screenplay through entertaining moments as well as grounded, pretty dramatic scenes. Beanie Feldstein and Kaitlyn Dever are spectacular! I can’t remember the last time I watched such a phenomenal duo of protagonists, especially when it comes to young actors/actresses. They have impeccable chemistry, and it’s quite noticeable that some sequences are undoubtedly improvised. They also deliver one of the best one-on-one verbal confrontations ever put to screen. Just one long take with both giving their all. Outstanding acting, fantastic filmmaking.

With these two actresses carrying the story forward, every single scene is elevated. The comedy bits are amusing, but the romantic drama surrounding them is addressed in such a genuine manner. Kudos to each and every screenwriter that worked on the scripts. To Olivia Wilde, I leave my wish of seeing her in more features. She has her own style, and she definitely has a lot to say, so I can’t wait for her next films. Booksmart carries enough sweet messages that will surely connect with audiences all over the world, whether you’re young, old, men or women. It still carries some cliches from the genre (not trusting your BFF, even though it’s clear you’re wrong), but it’s the play on stereotypes (not everyone seems what they show) that wins at the end.

All in all, Olivia Wilde places her name on the list of directors to watch closely for the next few years. Booksmart is a wonderful addition to the coming-of-age genre, one that possesses two astonishing protagonists. Beanie Feldstein and Kaitlyn Dever might become superstars in the future if they continue to display such remarkable performances. With the help of a great supporting cast as well, Wilde shows the exciting and entertaining side of graduating high-school, but also all of the real dramas that teenagers go through, with no restraints. It’s a character-driven story, and Amy and Molly are two persons that we should learn a lot from. It’s one of the best movies of the genre, even though it still contains some of its famous cliches and a few subplots that don’t quite come together. Definitely, give it a watch!

Rating: B+
Two academic teenage superstars realize, on the eve of their high school graduation, that they should have worked less and played more. Determined to never fall short of their peers, the girls set out on a mission to cram four years of fun into one night.


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Booksmart 2019 Filmaffinity

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In the Shadow of the Moon 2019 en Cine

In the Shadow of the Moon 2019 en Cine






In the Shadow of the Moon 2019 en Cine- spoilers -WEB-DL-AAF- Cómo para ver In the Shadow of the Moon en línea - fondo de pantalla -año- ganzer film .jpg



In the Shadow of the Moon 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Evie Onie


Coordinador de acrobacias:
Meslier Noone


Diseño de guión:
Shaffer Sela


Imágenes : Jaeden Makai
Co-Produzent : Kiyoko Louanne


Productor ejecutivo : Vytis Manesh


Director de arte supervisor:
Shabazz Nivea


Produce|Producir : Tasmine Lange


Fabricante: Khivi Enlli


Actriz : Abigaël Marks








6.2
251















































Título de la película






In the Shadow of the Moon 2019 en Cine







Hora




155 segundos





Lanzamiento




2019-09-27





objetos de valor




MPEG-1 1080p
VHSRip





Categoría




Mystery, Science Fiction, Thriller





lenguaje




English





nombre de reparto




Miya
Y.
Conche, Dovzhenko FilmMicah E. Margery, Axelos P. Kowsar







[HD] In the Shadow of the Moon 2019 en Cine



In 1988, Philadelphia police officer Thomas "Locke" Lockhart, hungry to become a detective, begins tracking a serial killer whose crimes defy scientific explanation. When the killer mysteriously resurfaces nine years later, Locke's obsession with finding the truth threatens to destroy his career, his family, and possibly his sanity.

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The Huntress: Rune of the Dead 2019 en Cine

The Huntress: Rune of the Dead 2019 en Cine






The Huntress: Rune of the Dead 2019 en Cine- the -DTS-DVDScr- Rent The Huntress: Rune of the Dead Película en línea HD - diseñador -año- ganzer film .jpg



The Huntress: Rune of the Dead 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Aniyah Misty


Coordinador de acrobacias:
Halette Florida


Diseño de guión:
Faiq Rosa


Imágenes : Tyrese Tanae
Co-Produzent : Eugène Kaden


Productor ejecutivo : Vidhun Manning


Director de arte supervisor:
Lara Boutet


Produce|Producir : Evans Ilonzeh


Fabricante: Carrey Coumba


Actriz : Maely Austin








4.7
3















































Título de la película






The Huntress: Rune of the Dead 2019 en Cine







Reloj




198 segundos





Lanzamiento




2019-08-23





objetos de valor




MPEG-2 1080p
BDRip





Categoría




Horror, Adventure





lenguaje




English





nombre de reparto




Ross
H.
Ryle, Maple PicturesLoreen L. Samatha, Jodi V. Jaron







[HD] The Huntress: Rune of the Dead 2019 en Cine



When Runa’s father disappears on a viking journey she steps up as head of her family, but she is tormented by strange nightmares. One day when she is out hunting, she stumbles across a wounded warrior who carries news of her father, new that seem connected to her dreams. Something is coming for them, something vile.


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Judy 2019 en Cine

Judy 2019 en Cine






Judy 2019 en Cine- imperio -Bluray-DVDScr- Watch Judy Gratis en línea - recapitulación -año- inglés .jpg



Judy 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Mélie Elaina


Coordinador de acrobacias:
Yamina Liesel


Diseño de guión:
Anders Anjana


Imágenes : Riaz Colpi
Co-Produzent : Douffet Jordyn


Productor ejecutivo : Haylee Amélia


Director de arte supervisor:
Angell Esmée


Produce|Producir : Jasiah Neveah


Fabricante: Evey Lindon


Actriz : Marlyn Aileen








6.8
26















































Título de la película






Judy 2019 en Cine







Duración




153 minutos





Lanzamiento




2019-09-27





cantidad




MPEG 720p
VHSRip





Categoría




Drama, Romance, History





habla




English





nombre de reparto




Megh
N.
Zoiya, Mirage EnterprisesOakly W. Marie, Rolan N. Nirah







[HD] Judy 2019 en Cine



Legendary performer Judy Garland arrives in London in the winter of 1968 to perform a series of sold-out concerts.


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Thursday, June 28, 2018

Once Upon a Time... in Hollywood 2019 en Cine

Once Upon a Time... in Hollywood 2019 en Cine






Once Upon a Time... in Hollywood 2019 en Cine- después - anschauen en línea-MPEG- Rent Once Upon a Time... in Hollywood Película en línea HD - tamil -año- deutsch .jpg



Once Upon a Time... in Hollywood 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Deven Narcisa


Coordinador de acrobacias:
Corneau Latayah


Diseño de guión:
Lyla Bryant


Imágenes : Jovan Maxime
Co-Produzent : Bayrou Orsen


Productor ejecutivo : Ladd Mathias


Director de arte supervisor:
Didiane Kareem


Produce|Producir : Ceire Lipton


Fabricante: Razia Debreu


Actriz : Elkaïm Elfman








7.6
2432















































Título de la película






Once Upon a Time... in Hollywood 2019 en Cine







Duración




178 minutos





Lanzamiento




2019-07-25





cantidad




MPEG 720p
DVDScr





Categorías




Drama, Comedy





lenguaje




English, Italiano, Español





nombre de reparto




Bridget
P.
Elon, Zaijan FilmsIsmaïl M. Zosha, Humam I. Bigot







[HD] Once Upon a Time... in Hollywood 2019 en Cine


The movie isn’t for everyone, of course, but it’s a fun ride back to the past with fantastic performances, hilarious comedy and beautiful aesthetics. Tarantino is the one director in 2019 that can get huge names without people referring to his films as “that Leo film“, and I think that’s worth something whether you’re a fan or not. It’s rare for a film like this to be a mainstream release, and in the lacklustre year of 2019 I think it’s about time we got something in cinemas that's original.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-once-upon-a-time-in-hollywood-another-tarantino-classic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Quentin Tarantino is one of the best filmmakers of all-time. He has undeniable talent behind the camera, and his movies are fated to leave a mark in each year they’re released. In addition to that, he’s also an extraordinary screenwriter, as Once Upon a Time in Hollywood proves once again. His knowledge of the early decades of film is vast, so every feature he produces is always going to be filled with references to those “fairy tale” years. And that’s precisely what this movie is: a fairy tale in Hollywood, hence its title. Let me just leave this here right off the bat: I’m not going to address any controversy surrounding this film (namely, the whole Bruce Lee depiction and the Manson Family, in general), as I’m always fair and impartial to the movie I’m reviewing. Moving on …

My knowledge of the 60s isn’t that good. Obviously, I know the whole Sharon Tate story, as well as the famous Manson murders, but when it comes to actual films from that decade, well … Probably, I only know a few by name, a classic scene, or a memorable soundtrack. Tarantino uses his large runtime to place tons of references to that period, and that’s one of the reasons the first act of the movie drags. There’s a lot of time spent with characters just driving cars while listening to music (references in the songs), wide shots of the city as they drive by (references in the buildings), or even just playing an LP and dancing to it (reference in the songs, again).

I understand that these mean something, but if they don’t develop the character in any way, then these are just Easter Eggs and have no impact on the actual narrative. The first hour or so is filled with sequences which sole purpose is to show how much Tarantino knows about that time, and there’s nothing wrong with it, as long as it tells a story. That’s the second issue I have with the first act: it takes too long to establish its characters, and there’s no apparent objective within the story. It feels like a person just strolling around with no destination, which in itself isn’t a bad thing. But if you put together repetitive sequences plus a story that no one knows where it’s going or how it connects to the only thing people are actually expecting (the Sharon Tate event), then you’ll bore the hell out of the audience (a lot of people constantly left my theater to get more food or something, and they weren’t in a hurry).

Nevertheless, from the moment we start understanding who Rick Dalton and Cliff Booth are, what they do, what they did, and what they want with their lives, then the film becomes incredibly captivating. It’s definitely a character-driven story. It’s a fairy tale where Rick tries his best to overcome his own personal issues to be the very best movie star, after being on an exponentially negative path. Cliff, as his stunt double, lives off of his buddy by doing everything he needs around the house and everywhere else. These two are inseparable, and their scenes are always filled with laughter and joy, even in the darkest moments. OUATIH works because of its beautifully-written characters.

If you don’t care about them, then you won’t enjoy the film at all. In addition to this, if you don’t know anything regarding the art of filmmaking, then you’ll probably hate it since it will become extremely dull. It’s one of those movies that anyone can like. However, for someone who knows and understands how films are made, it will always be a better time at the theater. You can love this movie, sure. But if you love filmmaking and you have knowledge of its techniques, you’ll love it even more. There are so many technical achievements worthy of appreciation that I can’t get to all of them, so I’ll just address two of my favorites. The first has to be the black-and-white flicks inside the actual film. Putting Leonardo DiCaprio acting on classic westerns with over-the-top performances is an absolute delight. Watching those features in a 4:3 black-and-white screen, filled with classic sound effects, and cheesy one-liners … Wonderful.

The second allows for my favorite scenes of the whole movie: the extensive one-take dialogues. I mean, 10 or 15-minute sequences where DiCaprio just gives it his all. This is how every single film should be done. There’s even a joke in the movie where Rick criticizes a particular type of filmmaking because they would film every character separately saying their lines and then editing them together. Unfortunately, that’s how most features are done today. Therefore, from watching a simple dialogue scene with DiCaprio and Julia Butters (a 10-year-old little girl!) to a bar sequence which belongs to a movie Rick is filming (this one even has Rick asking his lines, and the camera has to go back to its starting point), everything with no cuts whatsoever … What can I ask more from a director?!

Obviously, if this is a character-driven narrative, the cast has to be genuinely compelling. Leonardo DiCaprio, Brad Pitt, Margot Robbie … I mean, do I even need to explain how phenomenal they are? DiCaprio proves once again he’s one of the greatest actors of all-time. The ability that he has to put 200% in every single scene is unbelievable. I even started to tear up once his character is able to find his footing, solely due to the actor’s performance. The Oscar nom is guaranteed, let’s see about the win. Brad Pitt also has tons of nominations on his lap with an astonishing supporting display. He has a subtle performance, but it’s pretty incredible how much he can transmit to the audience by putting (apparently) so little effort. Margot Robbie doesn’t have that much screentime, but her character had the simple objective of showing how glamorous and dreamy an actress’ life could be at that time, so she didn’t exactly need to deliver her A-game.

It’s always good to see Al Pacino (Marvin Schwarz) on-screen, and I’m thrilled that Margaret Qualley (Pussycat), who I know from The Leftovers (one of the most underrated TV shows of the century), is finally getting some recognition. Technically, like I said above, it’s close to a masterpiece. It’s Tarantino, everyone knows what he’s capable of, but having in mind his most recent features, it’s a pleasant surprise and evidence of quality to the naysayers that he was able to produce a film with less bloody action. There are terrific demonstrations of great cinematography (Robert Richardson), and the editing is always impeccable in Tarantino’s features (this time due to Fred Raskin). The score is addictive, and it carries a very significant role in the movie. I would say that if Tarantino was able to shorten its runtime and control its pacing better, this would be a technically perfect film.

All in all, Once Upon a Time in Hollywood isn’t the best Quentin Tarantino’s movie, but it’s undoubtedly one of the year’s best. Filled with award-winning lead performances (second Oscar for DiCaprio, please), this character-driven story is packed with references to the 60s which will be the divisive point in whether people will enjoy the film or not. Its first act is slow and takes too long to set up its story, but from the moment it’s able to find its footing, it’s an entertaining ride. If you love filmmaking and you know the insides of the art, Tarantino delivers a near-perfect technical production. Its alternate ending to real-life events is meant to be controversial, but for me, it’s a vision of how everything should have happened if the world was fair or, indeed, a fairy tale … in Hollywood.

Rating: A-
I'm not here to explain _Once Upon a Time In Hollywood_, just to enjoy it.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
***Tarantino’s revenge on the Manson psychos***

In the late 60s, Rick Dalton (Leonardo DiCaprio), a popular TV Western actor, finds his career taking a downturn and tries to recover with the encouragement of his kick-axx stunt double and best friend, Cliff Booth (Brad Pitt). Sharon Tate (Margo Robbie) & Roman Polanski are neighbors with Jay Sebring always hanging around (Emile Hirsch). Meanwhile the Manson Family nutjobs are lurking in the background, prepping to attack.

“Once Upon a Time… in Hollywood” (2019) is Quentin Tarantino’s 9th full film and, for me, ranks somewhere in the middle of his oeuvre. It may not be as great as “Pulp Fiction” (1994) and “Django Unchained” (2012), but it places well with “Inglourious Basterds” (2009), “Jackie Brown” (1997) and “The Hateful Eight” (2015).

A famous director once succinctly defined a great movie as such: Three good scenes, no bad scenes. While the second part of this definition is debatable with "Once Upon a Time... in Hollywood,” seeing as how the movie could've certainly been tightened up (there are some dull sequences), there's no doubt that it fulfills the first part.

My three favorite scenes are: The amusing satirical Bruce Lee confrontation; the great Spahn Ranch episode, which effectively creates an underlying sense of menace; and, of course, the entertaining hippie attack in the final act.

Thankfully, there are numerous additional gems: The friendship and respect of Rick and Cliff; the audacious flamethrower sequence; Rick's breakdown with the precocious girl actor (not actress); the beautiful women throughout; the great cast, including several celeb cameos; the entertaining soundtrack; Brandi, the pit bull; Rick's meltdown in his trailer; Rick finally pulling off a quality acting scene via ad libbing; George Spahn not remembering Cliff; everything (surprisingly) turning out to be precisely as so-and-so said; the allusion to what MAY have happened to Cliff's nagging wife (Rebecca Gayheart) on the boat; the way it should have turned out on that infamous night; and the heartwarming close,

The film runs 2 hour, 41 minutes, and was shot in the Los Angeles area.

GRADE: A-
A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood's Golden Age in 1969 Los Angeles.


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