Tuesday, October 31, 2017

Jelgava '94 2019 en Cine

Jelgava '94 2019 en Cine






Jelgava '94 2019 en Cine- calificación - stream hd -1440p- 123MOVIE - vudu -año- ganzer film .jpg



Jelgava '94 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Jana Orlan


Coordinador de acrobacias:
Gere Laylah


Diseño de guión:
Yadiel Olympus


Imágenes : Jaylee Danièle
Co-Produzent : Burt Riya


Productor ejecutivo : Maurine Chase


Director de arte supervisor:
Houda Liana


Produce|Producir : Ishe Pirès


Fabricante: Millie Aglaia


Actriz : Tylo Shakira

























































Título de la película






Jelgava '94 2019 en Cine







Hora




165 minuto





Lanzamiento




2019-09-17





precio




ASF 1080p
HDTV





Categoría




Drama





lenguaje




Pусский, Latviešu





nombre de reparto




Boyan
L.
Coralee, Besouro FilmesGeary Z. Ayoub, Lang K. Kameron







[HD] Jelgava '94 2019 en Cine



The story is based on the best seller by Jānis Joņevs set in the 1994 in the Latvian city of Jelgava. The film takes us deep inside the world of teenagers of that time: combining the intimate diary of a teenager Jānis trying to find himself by joining a subculture, as well as a skilful, detailed and almost documentary-like depiction of the beginnings of the second independence of Latvia. “Jelgava ’94” is a portrait of a generation in the 1990s who are searching for their own identity and are fans of alternative culture. This is a touching story about us as youngsters, when everybody is against the whole world and tries not to become “one of them”. But can one keep the promise?


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Dark Phoenix 2019 en Cine

Dark Phoenix 2019 en Cine






Dark Phoenix 2019 en Cine- vestuario -AAF-BDRip- Stream gratis - póster -año- it alienisch .jpg



Dark Phoenix 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Harold Cloé


Coordinador de acrobacias:
Weston Just


Diseño de guión:
Badis Emilio


Imágenes : LaGarde Farees
Co-Produzent : Lagueux Kamal


Productor ejecutivo : Sindy Olanna


Director de arte supervisor:
Leland Calvert


Produce|Producir : Averi Durand


Fabricante: Mann Yuliana


Actriz : Rouleau Goodman








6.1
2260















































Título de la película






Dark Phoenix 2019 en Cine







Momento




127 minuto





Lanzamiento




2019-06-05





costo




DAT 1440p
HDRip





Categoría




Science Fiction, Action, Adventure





lenguaje




English





nombre de reparto




Kyrene
B.
Ranya, Pink TVCélian Z. Maxim, Jeanine Z. Dawn







[HD] Dark Phoenix 2019 en Cine


It’s just a shame that 'X-Men' was never able to live up to its potential in this form. Drawn of clichés, a tired script and a tired cast, it’s a big wet flop of a film where it looked like the cast were just there to collect their cheques. It’s probably something to wait for a digital release and watch on a rainy Sunday afternoon where you can fall asleep during the exhausting middle section and wake up at the mildly less-exhausting end.

If anyone needs me, I’ll be looking for Cyclops, hot choccie, blanket and hug.
- Brent Davidson

Read Brent's full article...
https://www.maketheswitch.com.au/article/review-x-men-dark-phoenix-untapped-potential
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Honestly, I'm going straight to the point, and I'm going to try not to waste anyone's time since that's precisely what Dark Phoenix did. Clearly, no one in the production team cared about this movie. Now, after watching the film, it's pretty easy to understand the reasons behind the constant delays, and the poor marketing campaign (I barely saw anything remotely publicizing this movie). It's not a complete disaster, it's not an absolute mess, but the third act is such a stab into the fans' hearts. Literally, one of the most abrupt endings of the last few years. It really feels like a producer entered the writers' room and said something along the lines of "let's just hurry this up, Marvel Cinematic Universe is right around the corner, nothing of what we do here matters."

I'm not going to lie, it's actually true. No matter how amazing or horrible this film ended up to be, it wouldn't really matter, which is probably the most negative aspect of this Disney-Fox merger. Days Of Future Past is arguably one of the better X-Men installments, but Apocalypse and Dark Phoenix feel such a waste of time because they never really explore what the time-travel event really changed, and now time's up, a complete reboot is coming. The first act of this movie is genuinely remarkable. I felt invested in both the story and characters, I was deeply captivated by what they were doing, and Hans Zimmer's score elevates a specific sequence that on IMAX really shows off both the visual and audio's phenomenal quality.

Until midway through, it's a pretty well-written, well-performed, and exciting film (with occasional minor issues). However, after a risky yet convincing plot point, Simon Kinberg annihilates everything he was working on until then. From this moment on, I can feel the famous merger being signed, and everyone working on this movie just giving up. The writing becomes atrocious, one of the most forgettable and nonsensical villains ever shows up (and I thought that comic-book adaptations were working past the cliche "bad guys"), characters like Quiksilver are barely in the film (why set up his relationship with his father if they never approach that subplot again?), and the ending lasts around three minutes. Three. In this amount of time, they do the equivalent of the last hour of Avengers: Endgame. Now, try to imagine that epic hour of climactic battles crushed into a couple of minutes...

The cast truly tries. Sophie Turner carries this movie with such an emotionally powerful performance that I almost feel that she alone deserved a positive review. James McAvoy (Professor Charles Xavier) continues his streak of gripping displays (if he doesn't get a freaking Oscar in the next years, I'll explode), Michael Fassbender is splendid as Magneto, and Jennifer Lawrence (Mystique) doesn't do much. Nicholas Hoult (Beast) is a pleasant surprise, but Jessica Chastain (Smith) is the only one at fault here. I never felt any interest from the actress in getting into a superhero film, and honestly, it shows. She's definitely the one that couldn't care less about what comes out of this, so she just offers a one-dimensional performance for a pretty lousy villain.

The screenplay is filled with characters making uncharacteristic decisions (they feel unearned), and exposition scenes that don't really do justice to the compelling backstories. Nevertheless, I always feel the need to come back to the ending. I rather have a slow start, but a strong finish than the other way around. Dark Phoenix delivers a fast-paced, entertaining, and captivating first act, but slowly starts to degrade until it culminates with one of the saga's worst third acts. Sure, the action is great, and it's quite well-filmed actually, but it all ends so quickly that you don't have enough time even to try to enjoy it. If it wasn't for Hans Zimmer's score, which completely nailed me to the screen, my brain would have shut itself down before the wrap-up.

It's a shame that such a beloved franchise like the X-Men has to end like this. Simon Kinberg, knowing that the merger was going to happen, should have changed the last half, and risk a lot more, to be honest. If the movie really didn't matter, then they should have tried to do something that was never done before, and go all-out. If it fails, it fails, but at least it would have been remembered as a courageous and powerful film. This way, not only it's a disappointing culmination to a 20-year saga, but it's forgettable. It's not even horrible enough for people to remember how bad it was, it's just ... Meh. If they didn't care, how can they ask the audience to do it for them?

All in all, Dark Phoenix ends up being what everyone feared it would be: a movie that didn't matter, at all. One that didn't even try to pay homage to an extraordinary saga that notably influenced the comic-book genre. The worst of all is that everyone can imagine how great it could have been since the cast is perfect (Sophie Turner shines), Hans Zimmer's score is sumptuous, and the action is riveting. The worst feeling that a fan can have is that disappointment with how the film turned out to be mixed with the frustration due to how well a fan can imagine how amazing it could have been. However, a flawed narrative with a terrible villain and questionable character decisions ruins those dreams. With one of the most abrupt endings of the last years, X-Men reaches its end as an isolated franchise, and it now rests its hopes on Kevin Feige and Marvel co. that the MCU will do the mutants justice.

PS: as you know, I try to avoid trailers as much as I can. After watching Dark Phoenix's ones, I can only advise you to not watch a single one. Not even the first one. Especially that first one! I can't understand how someone approves trailers so spoilery as these ones. Unbelievable.

Rating: C
I don't think this was the disaster that the critics make it out to be, but it is one of the lesser Fox X-Men movies. Both the opening scene where the X-Men rescue astronauts stranded in space and the ending where Magneto and the X-Men fight aliens on a train were well done action scenes. It's the middle that sags a bit. The film lacks energy and emotional impact. Simon Kinberg wrote and directed this second go around of the Phoenix Saga as a way to atone for writing the mediocre The Last Stand. But this film does not really improve on that film at all. I am eager to see Kevin Feige cover the full Phoenix Saga properly in a trilogy. You cannot cram the Phoenix story into one movie. We've barely gotten to know these young versions of these characters from Apocalypse. The worst performance is from Jennifer Lawrence, whose Raven is completely smug and obnoxious towards Prof. X. I was happy when she exited the movie. You can tell she doesn't care about this franchise at all. Beast acts completely out of character and joins Magneto to kill Jean--something he would never do. Quicksilver exits the movie quickly after being injured by Jean and only returns at the very end. His relationship with his father, Magneto, is never addressed. Scott Summers takes orders from Mystique (ugh!) and never shows any leadership abilities. The villains are generic evil aliens who want to use the Phoenix Force to take over the world. They are just bargain basement Skrulls. Then there are the usual continuity errors with other X-Men movies. Apocalypse showed that Phoenix was a part of Jean, just like The Last Stand did. Now we are told that the Phoenix lives outside of Jean and comes from outer space. Also, when you see how things end for Prof. X and Jean in this movie, it's unlikely that either of them would appear at the end of Days of Future Past to greet Logan at the school. Overall, disappointing and the perfect time for Disney to reboot this property.
It's a really good movie with superb graphics and storyline.
***A fuller rendition of the Jean Grey Plot of “X-Men 3” with Sophie Turner***

This is another take on the Jean Grey story of “X-Men: The Last Stand” (2006). That movie was good up until the last act with the conventional battle between the good and bad mutants at Alcatraz Island, which diverged from the more interesting core story concerning Jean. “Dark Phoenix” (2019) has a similar problem in that Jean’s inner conflict between good and evil is the most interesting element, along with the other mutants being troubled by her transformation and trying to figure out how to handle it.

Unfortunately, as with “X-Men 3,” the filmmakers insist on having everything come down to a big battle sequence that’s overlong and predictable, although it’s better and more moving here. A good example of predictableness is when Magneto (Michael Fassbender) utilizes many rifles to shoot Vuk (Jessica Chastain); you know very well that the bullets are going to be totally useless. The ending’s not bad, just tedious and perfunctory, similar to the big battle sequence in “Avengers: Endgame,” albeit less dull. The original climax of “Dark Phoenix” took place in space and had too many similarities to “Captain Marvel,” which beat “Dark Phoenix” to the theaters. So the creators had to reshoot the ending as a battle sequence involving a train, but it didn’t feel tacked on or inorganic, although the Juk/aliens subplot did.

I prefer Sophie Turner to Famke Janssen in the titular role. She’s just an all-around pleasure to behold, although acting-wise she’s not yet up to the caliber of Fassbender, James McAvoy (Xavier) or Jennifer Lawrence (Raven), not even close. In any case, I found the Phoenix story fascinating just as I did with “The Last Stand,” but here it’s more fleshed out, which makes it better in some ways. I just wish the creators would have the gonads to do something fresh rather than strap the conventional “big battle” ending on what could have been a great movie.

If you liked “First Class” (2011), “Days of Future Past” (2014) and “Apocalypse” (2016), “Dark Phoenix” is cut from the same cloth in all-around quality. I prefer “Days” and “Apocalypse,” but “Dark Phoenix” ain’t no slouch, despite what detractors might say; and it’s superior to “First Class.”

The film runs 1 hour, 53 minutes.

GRADE: B+
I don't know if _Dark Phoenix_ is the **worst** entry in the X-Men franchise. I feel like I remember being much more angry walking out of _Last Stand_ than this one. _Dark Phoenix_ didn't really make me "angry"... It didn't make me feel anything I guess. But there was just **nothing** I liked about this. Like, _Apocalypse_ was a bad movie, absolutely, but I really enjoyed that bit in the middle where the young X-Men got to the shopping centre together. That elevated it for me, even if it didn't stop it being a bad movie. _Dark Phoenix_ has no such moment. Nothing. I. Liked.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
Not as bad as I feared and the plot in and of itself was fine, as were the performances (outside of accents going in and out depending on the scene), even Sophie Turner was okay, the visual effects were alright and the direction serviceable. However, the biggest problem was the dialogue which ranged from predictable (to the point I could predict lines from time to time) to absolutely atrocious.

Not sure where this ranks amongst the "franchise", though initially I'd say it is above Apocalypse, a movie I didn't care much for but a far cry from First Class and Days of Future Past. **2.75/5**
The X-Men face their most formidable and powerful foe when one of their own, Jean Grey, starts to spiral out of control. During a rescue mission in outer space, Jean is nearly killed when she's hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable. The X-Men must now band together to save her soul and battle aliens that want to use Grey's new abilities to rule the galaxy.

Jean Grey Wikipedia den frie encyklopædi ~ Hun møder døden adskillige gange i løbet af serierne Første gang var i Dark Phoenix Saga men på grund af sin forening med Phoenix Kraften genopstår hun præcis som hendes navnesøster indikerer Jean er en vigtig person i hverdagen for Professor X Wolverine og hendes mand Cyclops

XMen Dark Phoenix Wikipedia den frie encyklopædi ~ XMen Dark Phoenix er en amerikansk superheltefilm fra 2019 instrueret af Simon Kinberg Medvirkende redigér redigér wikikode Sophie Turner som Jean Grey Phoenix

XMen film Wikipedia den frie encyklopædi ~ XMen er en amerikansk superheltefilm fra 2000 instrueret og skrevet af Bryan Singer og baseret på Marvelfigurene har Hugh Jackman Anna Paquin Patrick Stewart Ian McKellen og Famke Janssen på rollelisten XMen vandt en Saturn Award for årets bedste film Filmen blev i 2003 efterfulgt af XMen 2 der også er instrueret af Bryan Singer

DiskussionXMen Dark Phoenix Wikipedia den frie ~ DiskussionXMen Dark Phoenix Spring til navigation Spring til søgning Denne artikel kategori eller skabelon er en del af WikiProjekt Film et forsøg på at koordinere oprettelsen af film og filmrelaterede artikler på Wikipedia Hvis du er interesseret kan du

XMen filmserie Wikipedia den frie encyklopædi ~ For alternative betydninger se XMen flertydig Se også artikler som begynder med XMenXmen er en amerikansk serie af superheltefilm der er baseret på det fiktive superhelteteam af samme navn der oprindeligt optrådte i tegneserier skabt af Stan Lee og Jack Kirby og udgivet af Marvel Comics 20th Century Fox erhvervede filmrettighederne til figurerne i 1994 og efter mange udkast

XMen The Last Stand Wikipedia den frie encyklopædi ~ Grey er besat af magten til Dark Phoenix og er blevet en fare for sig selv sine mutantkammerater og hele planeten For at standse denne trussel mod menneskeheden opfinder man en mulig kur mod genetisk mutation XMen ledet af professor Charles Xavier må hamle op med både «Jean Greys» uovervindelige kræfter i tillæg til det

The Avengers Wikipedia den frie encyklopædi ~ Marvels The Avengers med titlen Marvel Avengers Assemble i Storbritannien og Irland er en amerikansk superheltefilm produceret af Marvel Studios og distribueret af Walt Disney Pictures baseret på Marvel Comics superheltehold af samme navn Det er den sjette film i Marvel Cinematicuniverset Filmen er skrevet og instrueret af Joss Whedon og har en rollebesætning der omfatter Robert

Evan Peters Wikipedia den frie encyklopædi ~ Evan Peters født 20 januar 1987 er en amerikansk skuespiller Han er mest kendt for sine roller på FXtvserien American Horror Story hvor han startede som den psykopatiske Tate hans rolle i filmen XMen Days of Future Past som Quicksilver i 2014

Tekken 3 Wikipedia den frie encyklopædi ~ Denne artikel er skrevet i et meget indforstået kan gøre artiklen bedre ved at omskrive den i et sprog der er lettere at forstå for folk uden forudgående viden om emnet Tekken 3 er et PlayStationspil udgivet i 1998 af Namco i serien af Tekkenspil

Iron Man film Wikipedia den frie encyklopædi ~ Iron Man er en amerikansk superheltefilm fra 2008 baseret på den fiktive Marvel Comicskarakter Iron er instrueret af Jon Favreau og handler om Tony Stark Robert Downey Jr en industrimilliardær som bliver taget til fange af terrorister i t til at bygge et missil for dem ved navn The Jericho bruger Stark i stedet sine evner til at bygge en dragt af stål



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Saturday, October 28, 2017

Memoria en Cine

Memoria en Cine






Memoria en Cine- completo - blu ray -1440p- en Redbox - en línea -año- ganzer film .jpg



Memoria en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Efran Castor


Coordinador de acrobacias:
Szwarc Brisa


Diseño de guión:
Alyssa Maude


Imágenes : Maximo Floyd
Co-Produzent : Ishrat Reece


Productor ejecutivo : Steele Lucero


Director de arte supervisor:
Gabor Parvin


Produce|Producir : Maylis Huff


Fabricante: Piers Niels


Actriz : Seigner Arwa

























































Título de la película






Memoria en Cine







Hora




113 minutos





Lanzamiento










valor




FLA 1440p
TVrip





Género




Drama





lenguaje




English





nombre de reparto




Hondt
O.
Mohamed, M1 ProductionsGabin R. Isidore, Nyarai W. Koben







[HD] Memoria en Cine



A Scottish orchid farmer visiting her ill sister in Bogota, Colombia, befriends a young musician and a French archaeologist in charge of monitoring a century-long construction project to tunnel through the Andes mountain range. Each night, she is bothered by increasingly loud bangs which prevent her from getting any sleep.


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The Wannabe 2015 en Cine

The Wannabe 2015 en Cine






The Wannabe 2015 en Cine- trailer - film -MPE- Dónde ver título en línea - en línea -año- ganzer film .jpg



The Wannabe 2015 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Saniyah Barnabé


Coordinador de acrobacias:
Samy Kyra


Diseño de guión:
Tahia Batard


Imágenes : Gurmukh Anaelle
Co-Produzent : Effi Maëlis


Productor ejecutivo : Nassim Lacene


Director de arte supervisor:
Olli Jamal


Produce|Producir : Bijou Ladji


Fabricante: Starla Joselyn


Actriz : Spire Loki








5.2
23















































Título de la película






The Wannabe 2015 en Cine







Hora




186 segundos





Lanzamiento




2015-12-04





precio




Sonics-DDP 1440p
TVrip





Categoría




Thriller, Mystery, Crime, Drama





habla




English





nombre de reparto




Keshvi
F.
Karamba, 3IS ProductionDoyon U. Cherie, Leara G. Ruest







[HD] The Wannabe 2015 en Cine



Based on true events, The Wannabe, a story about Thomas, a man obsessed with Mafia culture during the 1990s in New York City. When Thomas’s failed attempts to fix the trial of infamous mobster John Gotti gets him rejected by the people he idolizes most, he sets off on a drug infused crime spree with his girlfriend and longtime mob groupie, Rose, by brazenly robbing the local Mafia hangouts.


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Ditte & Louise 2018 en Cine

Ditte & Louise 2018 en Cine






Ditte & Louise 2018 en Cine- amc -Sonics-DDP-MPE- hd en línea - crédito -año- ganzer film .jpg



Ditte & Louise 2018 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Ameila Allaya


Coordinador de acrobacias:
Majorie Bernita


Diseño de guión:
Elwood Mimi


Imágenes : Niam Tiyanah
Co-Produzent : Ashai Cameran


Productor ejecutivo : Adelia Sophy


Director de arte supervisor:
Gareau Harnoop


Produce|Producir : Eribon Rylee


Fabricante: Comte Aymeric


Actriz : Issra Aldin








4
1















































Título de la película






Ditte & Louise 2018 en Cine







Momento




192 minutos





Lanzamiento




2018-09-13





precio




MPEG-1 1080p
VHSRip





Género




Comedy





habla




Dansk





nombre de reparto




Sarfraz
H.
Hallie, C2 EntertainmentDolcie W. Ramona, Barbara D. Shadiya







[HD] Ditte & Louise 2018 en Cine



Ditte and Louise are two middle-aged actresses who realize that the only thing the industry has left to offer them are roles like mothers or as elderly prostitutes. That is why Ditte makes a radical decision: She dresses up like a man.


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Friday, October 27, 2017

Joker 2019 en Cine

Joker 2019 en Cine






Joker 2019 en Cine- australia - untertitel -FLV- hd en línea - 123movies -año- stream hd .jpg



Joker 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Hickman Livvy


Coordinador de acrobacias:
Gurneet Ansley


Diseño de guión:
Kenzo Kelda


Imágenes : Yashika Perlman
Co-Produzent : Issac Maxim


Productor ejecutivo : Kaydian Hugon


Director de arte supervisor:
Gaetane Youness


Produce|Producir : Mory Mitesh


Fabricante: Winston Ruben


Actriz : Warner Jibril








8.6
4019















































Título de la película






Joker 2019 en Cine







Momento




152 segundos





Lanzamiento




2019-10-02





precio




AAF 720p
BRRip





Género




Crime, Thriller, Drama





lenguaje




English





nombre de reparto




Gavyn
L.
Alidia, Yerkovich ProductionsZaniyah F. Gomez, Ameya C. Collin







[HD] Joker 2019 en Cine


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Obviously, Joker is one of my most anticipated movies of 2019. I mean, how couldn't it be?! Besides belonging to the superhero genre, DC has been on a streak of great films within its universe, so an isolated installment definitely excites me, especially about one of the evilest villains ever. It's by far one of the less comic-book-y flicks of the century. It doesn't follow the generic origin story formula, it avoids any cliches associated with the genre, and it's the type of movie that's becoming more and more rare nowadays. It's a character study like we haven't seen in a long time.

I'll simply begin with the person that elevates the entire thing: Joaquin Phoenix. Now, if there's something I'm not going to do is compare his performance with Heath Ledger's. That's the number one mistake people are going to keep making forever. First of all, The Dark Knight and Joker couldn't be more distinct films, even if they belong to the same genre (despite Joker being unique, it's still about a famous comic-book villain). Then, despite Phoenix and Ledger portraying the same "version" of the clown (crazy, sadistic psychopath), the former is 90% Arthur Fleck while the latter is 100% Joker, throughout each of their movies. Finally, Phoenix is the sole protagonist of this feature, while Ledger had the best live-action Batman sharing the spotlight.

In conclusion, it's both unfair, and a bit unreasonable to compare both interpretations since their roles have a different impact on the narrative, as well as each film being entirely different. In the end, both are impressive. However, let's switch to Phoenix since he's the star of this show … He has 2019's best performance, by far! With a strong marketing campaign, I'm sure he'll get that Oscar. I hope so! It's so well-deserved. Todd Phillips and Scott Silver developed a brilliant screenplay, but Phoenix elevates it to a whole other level.

Throughout the entire runtime, I felt weird. Perturbed. Even uncomfortable with what I was watching and consequently feeling. It's a dark, brutal, violent, emotionally powerful origin of a villain who I feel disturbingly empathetic towards. Phoenix makes the story work due to its remarkably captivating display of someone who's mentally ill. Arthur Fleck slowly becoming crazier is due to how society behaves and not due to some chemical pool that transforms his skin white and hair green (nothing wrong with this, but I know which origin story I prefer). "The world is getting crazier out there", and it becomes excruciatingly painful to deal with it, especially when so much is going on with Arthur’s personal life, and most of it he doesn't even realize because he tries to hide everything behind a smile.

It's a screenplay filled with narrative twists that not only pack a punch of surprise but leave you feeling extremely upset. The last act is one of the best in the last few years. If the second act is an enormous build-up, the last one is a terrific payoff. I can't remember the last movie I saw where I loved 100% every single narrative decision. I wouldn't do any of the big moments differently. There are so many excellent references hidden in plain sight that comic-book fans (and fans of the TDK trilogy as well) will love just like I did. In the ending, there's one pivotal moment in particular that serves as the absolute climax … I got chills all over my body. They couldn't have done that scene more perfect. I only have one tiny nitpick with the way some scenes feel repetitive since they neither move the plot forward or give us anything new. Some of these still help to create tension, some feel like they're just… there.

A Best Picture and Best Actor nominations seem to be on its way, but these are not the only achievements that deserve to be recognized. The original score by Hildur Guðnadóttir is incredibly addictive, so much that I'm listening to it while writing this review. It definitely helps to generate tremendous build-up, and it elevates the sinister environment of Gotham City. Lawrence Sher's cinematography is utterly stunning. The underexposure of some scenes is glorious. Sher paints the screen with so many gorgeous shots, especially with his close-ups on Phoenix, where the latter is able to shine. Jeff Groth is also impeccable in the editing room. There are several long takes with Phoenix just giving his all and letting all his emotions out (or keeping them all contained), which is always something I deeply appreciate since it helps with the flow of the narrative.

Regarding the film's controversy surrounding its messages and the incentive to violence, I really don't know what to say. It's ridiculous. I remember those times when going into the movie theater was a surreal experience. It was the number one place for people to forget about their lives, jobs, everything. Joker is a fictional story! It's the origin of one of the worst psychopaths in the history of comic-books and cinema. If people expected to leave the theater "happy" or "joyful", then at least one of the film's message is right: society really is getting crazier. Have people forgotten who Joker is? What could you possibly expect from his origin story?!

Nowadays, no one knows how to behave (social media is the primary source for spreading hate). No one respects the fellow citizen or even the world itself. More and more people only look at their own bellies. Political agendas are everywhere. New extreme movements are created every other year. Social hypersensibility is exponentially growing. The same way some people will hate this movie for not being able (or simply not wanting) to accept that they feel empathy towards a murderer, people all around the world behave like their actions don't reflect on another person's life and on their own planet. If people get ruthlessly violent because they watched Joker, how can someone complain that the film's message is bad when it's eventually true?

All in all, Joker is one of the best movies of the year, and it's definitely on my Top3 at the date of this review. Joaquin Phoenix delivers my favorite male performance of 2019, by elevating a script about the origin of one of the evilest villains ever. The way he gradually becomes more insane is worthy of study, but it's how he's able to make the audience create empathy towards a psychopath that leaves me disturbingly captivated. Todd Phillips produces a character-study filled with an astonishingly tense build-up and one of the most chill-inducing payoffs of the last few years. With every single narrative decision nailed perfectly, Hildur Guðnadóttir's score and Lawrence Sher's cinematography stand out. The lack of restraint in showing the unmerciful violence (physical and mental) that society inflicts on one another is what makes us feel unsettled. Because we know it's mostly true, and we refuse to accept it. It's not a film about the Joker. It's a very realistic portrayal of someone (anyone!) who can become someone like him. And it's disturbingly brilliant!

PS: Robert DeNiro (Murray Franklin) and Zazie Beetz (Sophie Dumond) are also great. Phoenix's performance is so mesmerizing that I almost forgot there were other actors in the movie.

Rating: A
Joker. The character that has existed since 1940, has become so heavy with so many different portrayals, different origins, that it feels impossible for any mortal man alive to impersonate the scattered personalities. It is an insurmountable task for any director to digest it all and still produce one more.

Todd Phillips had a crazy challenge. He brought in one of the best actors alive to lift it with him, Joaquin Phoenix. Together, they have built a mass-market masterpiece which is just above the crop. It is appropriately crazy and completely focussed on the central character. The narrator goes close to the shores of that craziness, wets his feet but remains dry to tell this story. It is like those news reporters which go closer to the burning amazon, but it is impossible to step in the fumes. In no way, Joker is telling his story. Instead, his story is told to us and there are pillars of sanity (like the detectives, asylum clerk etc.) which remain steadfast to give a strong anchor to the audience. This dilutes the effect of the film.

With the copious amount of material on Joker already, I wished to consider this film as a standalone character study vaguely inspired by the batman universe. But this is not entirely possible. I was forced to think about it on two levels. With Batman and Without Batman.

With Batman, The Joker is on the home turf. There have been many renditions of Joker, and Heath Ledger's portrayal is still vivid in my mind. I knew that Arthur here will go on to become someone who is going to say, “‎Introduce a little anarchy. Upset the established order, and everything becomes chaos. I'm an agent of chaos...”. When I was thinking Joker in the context of Batman, I could not keep Ledger's joker too far away. I was searching for a path for Arthur to go from the mentally unstable to the calculating anarchist. I was left searching for that path when the movie ended. To remain as the crown prince of crime, and to justify the title of the greatest adversary of Batman, just mental instability isn't good enough. He needs to be much more intelligent, much more cunning. These traits are often visible early, In the case of Arthur, I could not find that complete foundation upon which the later psyche can stand. This reminded me of Cameron Monaghan's Jerome Valeska. The joker of my understanding is somewhere between the cruelty of Jerome and pitiable delusions of Arthur. Also, the iconic Batman moment was not needed in this. I kept feeling that Joker is trying to stand with the support of Batman's tale as a clutch. A safety net enforced by the producers.

On the other hand, if I consider this movie as a standalone tale, then it was a bit more satisfying. There are tearjerker movies where nothing good ever happens with the protagonist. A series of bad lucks, or difficulties keep blocking a normal life. He is most definitely poor, has a sub-optimal family background, has a medical affliction which is unique and provides a foundation of the pity I felt. This is not very far from Rani Mukharjee's Hichki if you only consider the medical condition. Rani's Naina had Tourette syndrome while Joaquin's Arthur suffers from pseudobulbar affect. The setting and genre make the two films vastly different. More often than not, I have noticed these disorders lift a lot of burden from the narrative. In the case of Joker, couple his disorder with usually being in the wrong place at the wrong time, you have a travesty of human life. Add to that, an unstable parent, amplify it with the volatile societal conditions, you have a perfect decoction of what Joker is made of. As a tale of its own, it works. The delivery is great thanks to the spectacular performance. It also helps to increase the awareness of mental health. But when you strip off all the Batman context, it remains a well-acted and averagely written tale.

Unfortunately, this is a single film, and I felt it is torn between these two polarising treatments. It wants to find its ground, which it finds. But that ground is far from being sensational. It remains somewhat indecisive. It can not be well soaked in Batman lore like James Gordon's tale, Gotham is. I am considering Gotham because both Gotham and Joker do not feature Batman, but they both have Bruce. Gotham understands its lore and fully embraces it but Joker does not want to. At the same time, as a tale of the psychologically troubled protagonist, Joker tries to play safe with the aim to please audience en-mass. I kept thinking about American Psycho and The Machinist. (Coincidently, both star ex-Batman Christian Bale). Those two take you in the psyche of the protagonist. Those take you inside the burning Amazon and not stand at a safe distance. Joker does not aim to do so.

I am not at all qualified to talk about the acting performances. Joaquin Phoenix is in every frame and the way he waltzes between emotions is terrifyingly amazing. The Tai Chi to calm himself down, the menacing stare when finally becomes the Joker, those are chilling. He lives the character to the best of his abilities. Regrettably, he does not have the same level of writing support which Heath Ledger had and so due to no fault of his own, Joaquin could not topple Heath Ledger's portrayal of the crown prince of crime.

If I consider Todd Philips's entire resume, this was a genre shift for him. He knew very well that the biggest trump card is Joaquin Phoenix, so he takes no risk. He keeps him in focus, almost always all the setting and cinematography works for him. The only exception being Robert De Niro. Robert is allowed to carry his scenes quite independently. I think Todd Philips relied on both these giants to carry their parts. Sadly, I had gone to a theatre which had a bad print or screen so I think I will have to watch it again sometimes to enjoy the cinematography.

I realised, I kept writing a lot and this is already over a thousand words. If you are here and reading still, I must say thank you. To summarise, The Joker worked for me and I enjoyed it, but I would not consider it the best depication of the iconic villain from comic books. The best may yet come.
During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.

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First Lady 2018 en Cine

First Lady 2018 en Cine






First Lady 2018 en Cine- en línea - ganzer film -FLV- Película completa en inglés - de -año- inglés .jpg



First Lady 2018 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Debbie Sidney


Coordinador de acrobacias:
Herbert Margaux


Diseño de guión:
Kody Delany


Imágenes : Jawed Stein
Co-Produzent : Sélène Stokes


Productor ejecutivo : Julee Rayna


Director de arte supervisor:
Mathew Zehna


Produce|Producir : Pascal Lezlie


Fabricante: Messac Keela


Actriz : Loan Maria








9
1















































Título de la película






First Lady 2018 en Cine







Duración




149 minutos





Lanzamiento




2018-11-01





valor




DTS 1080p
DVDScr





Categoría




Drama





lenguaje




English





nombre de reparto




Rebwar
A.
Pauley, Atypic ProdFabion A. Alwin, Maëline Y. Avrohom







[HD] First Lady 2018 en Cine



When Maria unknowingly falls for the man that killed the love of her life, all hell breaks loose.


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Tag 2018 en Cine

Tag 2018 en Cine






Tag 2018 en Cine- latino -Blu-ray-WMV- En Netflix - la -año- stre en línea.jpg



Tag 2018 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Tahrim Tognoni


Coordinador de acrobacias:
Albina Metin


Diseño de guión:
Sharla Mimi


Imágenes : Tasmin Floyd
Co-Produzent : Aymara Latrina


Productor ejecutivo : Anokhi Dezirae


Director de arte supervisor:
Bergen Wendie


Produce|Producir : Brennen Avaiah


Fabricante: Oaklen Ruben


Actriz : Lyana Avey








6.7
1482















































Título de la película






Tag 2018 en Cine







Hora




162 minutos





Lanzamiento




2018-05-30





costo




M1V 1440p
DVDScr





Categoría




Comedy, Drama





lenguaje




English





nombre de reparto




Pichot
Z.
Kayzia, Sentinel ProductionsJono Y. Sloan, Sargun M. Chavez







[HD] Tag 2018 en Cine



For one month every year, five highly competitive friends hit the ground running in a no-holds-barred game of tag they’ve been playing since the first grade. This year, the game coincides with the wedding of their only undefeated player, which should finally make him an easy target. But he knows they’re coming...and he’s ready.


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Thursday, October 26, 2017

Shadow Fighter 2017 en Cine

Shadow Fighter 2017 en Cine






Shadow Fighter 2017 en Cine- hindi -Bluray-MPEG-1- Stream gratis - vestuario -año- it alienisch .jpg



Shadow Fighter 2017 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Markus Brianne


Coordinador de acrobacias:
Beal Arsene


Diseño de guión:
Sophea Chateau


Imágenes : Lyautey Arber
Co-Produzent : Meghane Déziel


Productor ejecutivo : Nafisah Ethyn


Director de arte supervisor:
Destini Anael


Produce|Producir : Auclair Tanis


Fabricante: Tamer Liwsi


Actriz : Rhoslyn Zakary








9
1















































Título de la película






Shadow Fighter 2017 en Cine







Reloj




165 segundos





Lanzamiento




2017-11-19





costo




SDDS 1080p
DVDScr





Género




Drama





lenguaje




English





nombre de reparto




Arni
A.
Brogan, Fresh MediaModibo J. Devin, Aymane P. Darian







[HD] Shadow Fighter 2017 en Cine



A homeless ex-boxer and an inner-city kid's unlikely bond, helps them face their future, while fighting the tragedy from their past!


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